The last weekend of July, the DeColors theater company from CSL once again captured the audience’s attention at the El Retiro de Sitges Auditorium with their latest production, “Asco“, by the Cuban author Yúnior García Aguilera. Following last year’s success with “La casa y la boda“, a dramaturgy created and directed by Prado G. Velázquez that masterfully fused two Lorca tragedies, “The House of Bernarda Alba” and “Blood Wedding“, expectations were high. However, DeColors has once again demonstrated their ability to surprise and move.
In “La casa y la boda“, the company already showcased their mastery in minimalist theater, with a staging that used only three elements: a chair, reeds, and masks, in addition to incorporating audiovisual elements. The play combined the endings of the two Lorca tragedies, creating a new piece with the treatment of Greek tragedy. The actors and actresses, on stage all the time, offered a fresh and provocative perspective that highlighted oppression, sexual repression, and the struggle for power in a patriarchal society, and laid the foundations for future projects.
This year, DeColors has maintained that minimalist essence in “Asco“, using audiovisuals and only two elements: a table and a white curtain. Through these simple objects, they built a set that, far from being limited, turned out to be rich in meaning and emotion. The fluidity and dynamism in the progression of the scenes, with the artists themselves participating in the scene changes, added an almost magical sense to García Aguilera’s play. The narrative developed fluidly and envelopingly, using transitions that, in many moments, gave the audience goosebumps and endowed the characters with unexpected depth.
The narrative of “Asco” delves into the darkest corners of the human condition through characters intertwined by pain, heartbreak, and despair. The story follows Nara and Mario, a marriage worn out by routine and reproaches, trapped in a cycle of violence and resentment. Through scenes loaded with symbolism and sharp dialogues, the play unveils the secrets, fears, and deep wounds of each character, revealing dark secrets.
The acting work was outstanding. The play was performed on two days, July 26 and 27, with three characters played by two different actors each day. This allowed the more than 160 attendees who saw both performances to appreciate the magic of theater: how two different interpretations can offer unique perspectives on the same characters. The audience was impressed by the strength of the characters and the intensity of the performances, and many agreed that the play, very tough and politically incorrect, deeply stirred emotions.
The DeColors Company has once again shown that theater is a powerful tool for cultural and emotional expression. With “Asco“, they have reaffirmed their commitment to quality and innovation in the performing arts, promising to continue surprising and moving their audience with each new production. Without a doubt, we are eager to see what this talented company has in store for their next project.
